超越电影理论史的分歧：数字时代的媒介间性方法论 "BEYOND THE DIVIDE IN THE HISTORY OF FILM THEORY: AN INTERMEDIAL APPROACH IN"

Resumo

摘要：本文回溯了经典电影理论的数个侧面，特别是早期电影理论与乔托·卡努杜(Ricciotto Canudo)的观点，以探讨当下未尽的争议和问题。因此，本文将重点提及两点：对电影这门艺术的定位是究竟应趋近抑或疏离于其他艺术形式，和经常围绕在形式主义和现实主义两个电影理论史论述轴心中的二重方法。

Abstract：This article aims to revisit aspects of classic film theory, especially early film theory and the contributions of Ricciotto Canudo in order to investigate ongoing controversies and issues which have not been completely clarified up to now. Thus, two aspects will be particularly scrutinized: the positioning of cinema closer to or farther from other art forms, and the twofold approach to the history of film theory, often structured around two fundamental axes: formalism and realism.

Membros

Alfredo Luiz Paes de Oliveira Suppia